The artwork is exceptional due to its exceptionally high artistic quality and its preservation in its original location. It is one of van Dyck’s most well-known paintings, yet also the most atypical. It is one of the most Rubensian paintings ever created by van Dyck, showcasing his ability to adopt Rubens’ style in a chameleon-like manner if desired. Additionally, it serves as an important link within the context of the Rubens workshop and holds significant value within Antoon van Dyck’s body of work. This early piece by van Dyck is based on an oil sketch by Rubens, making it a unique testament to the collaboration between these two top artists of the 17th century.
Source: Anthony van Dyck, 1625, Saint Martin, Sint-Martinuskerk Zaventem, Public domain